Rob Cottingham

28 Feb 2010

Higher, stronger, fattier

Category: Everything Else

Hockey coach to a girls’ team, shortly before taking them to eat at McDonald’s, in an ad for the restaurant chain:
“You played like Olympians. So today, we eat like Olympians.”

From the discarded footage immediately afterward:

Uh, yeah, coach? Speaking as team captain, I appreciate the thought – we all do – but are you sure that’s how Olympians eat?

I know they’re sponsors, and I know they paid a lot of money for the privilege. But isn’t the Olympic spirit supposed to be about self-denial in support of a dream? Isn’t it about pursuing excellence, about standing out from the crowd, about profound respect for ourselves in body, mind and spirit?

And isn’t McDonald’s about the exact opposite? About instant gratification at the expense of nutrition, and about uniformity of experience at the expense of extraordinary achievement?

I mean, yeah, we did come up short today… and part of the reason could be that we’ve been eating a lot of after-hockey meals of Big Macs.

I know you want to reward us for our perseverance and effort. But maybe the way to do that isn’t by undercutting our dedication, but celebrating it and supporting it.

Oh, no, I do like being team captain. Why do you ask?

22 Feb 2010

One way for bloggers, brands and agencies to disclose their interests

Category: Everything Else
CMP.ly provides bloggers and advertisers with a simple disclosure solution. We have created a set of easily identifiable disclosures and codes that can be used to identify any material connections in your blog posts, tweets or other communications. These disclosures give you flexible options and provide you with both short codes and full text disclosures that can be included in your posts.

via cmp.ly

An interesting approach: a short URL at the end of a tweet or post that conveys your relationship to a brand, product or service you’re writing about.

Posted via web from robcottingham’s posterous

19 Feb 2010

Virtual backlots: That “on location” show? It isn’t.

Category: Everything Else

Time was when you could see a green-screen effect from a mile away. Those days are over.

Posted via web from robcottingham’s posterous

18 Feb 2010

Why it mattered to Chris Ware to get the picture right

Category: Everything Else

Cartoonists are a notoriously invisible lot. Like writers and cave salamanders, we choose a life of privacy, away from natural light and other human beings. So it was no surprise that I ran into trouble finding a simple head shot of Rea Irvin, The New Yorker’s original art director, for my contribution to this week’s set of anniversary covers.

A lovely little article by Chris Ware provides the perfect postscript to The New Yorker’s anniversary cover hoo-ha. (And be sure to check out those covers.)

Posted via web from robcottingham’s posterous

Three ways I get value from LinkedIn

Category: Social Signal

Vancouver blogger and friend-of-SoSi Dr. Raul Pacheco has a post today explaining why he's been skeptical about LinkedIn, the business-focused social network. And on Twitter, he asked for suggestions "if you believe in this social network, or can give me some insight on its value".

If you've been wondering about LinkedIn, too, here's what I suggested to Raul:

I'm completely onside with being picky about where you devote your online attention, and LinkedIn can be especially thorny: the fact that there's an implied endorsement when you connect to someone can make it awkward to decline an invitation. (Not to mention what it can do to your ego when someone declines yours!)

That said, just off the top of my head, here are three ways I've found LinkedIn hugely useful:

  1. LinkedIn Groups: Because these birds-of-a-feather communities are professional in nature, I've found the conversations there tend to be conducted at a more business-like level than what I'd get on, say, Facebook. And I'm discovering some people doing fascinating work whom I might never otherwise have come across.
  2. Network diving: This is something Alex has shown me, and good lord, it's handy. When I'm travelling out of town, I search my network on the destination. Now I have folks to look up when I'm in town, as well as second-degree connections who might well be worth meeting while I'm there. I ask for a few introductions, and we're off to the races.
  3. LinkedIn Answers: This underused (IMHO) LinkedIn feature lets you draw on your community's expertise, as well as giving you a chance to share your knowledge and, perhaps, come to the attention of people you'd like to connect to.

Do any of those sound potentially compelling to you?

15 Feb 2010

Rob on what 2010 will bring for social media

I missed passing this along when it first came out, because I didn't know those nice CBC people had put it on YouTube. It's their segment on what to expect in 2010 for social media, based on an interview they did with me in their stunning new Vancouver studios.

The key point for me is that I'm finding people are becoming more deliberate and discerning about where they direct their attention, whether it's in who they friend, what they watch or which applications they install on Facebook. (That doesn't mean I'll always agree with the choices they make: witness the rise of FarmVille. [shudder])

And in the background, yes, you'll see VanTrash on my screen.

Enjoy... and see what you think of how my predictions are turning out one month in.

10 Feb 2010

Book Review: “The Backchannel”

Category: Social Signal

Intro paragraph with hoverpodiumJust as newspapers are scrambling to adjust to a world of blogs and YouTube, speakers are suddenly discovering they're not the only ones in the room who have a microphone. Tools like Twitter and wireless connectivity have broken the monopoly of the speech on, well, speech.

While a presenter is at the front of the room clicking through PowerPoint slides, audience members are talking back - and talking to each other. Speeches are becoming conversations, with the emergence of what's become known as the backchannel.

Cover of The BackchannelThat's also the title of a new book by Cliff Atkinson. His previous book, Beyond Bullet Points, helped power a movement away from text-heavy slideshows where the speaker served mainly as a narrator, and toward more engaging presentations supported, not governed, by PowerPoint.

That positions him well to help speakers cope with this new, digitally-enabled virtual note-passing, and The Backchannel does that well. He blends well-told stories (and a few cautionary tales) from key moments in the backchannel's development with solid, practical advice for speakers who want to join the conversation - as well as event organizers who want to make that conversation as productive as possible. And the technical know-how Atkinson offers - such as an introduction to Twitter and a discussion of tools for monitoring backchannel conversations - is solid.

More importantly, this isn't an evangelical tract. While Atkinson is certainly preaching from the gospel of conversation, he isn't religious about the technology. He does a good job of honestly portraying the backchannel's warts as well as its wonders, and doesn't shy away from stories of notorious trainwrecks. He recommends against the increasingly-common practice of projecting the backchannel onscreen during a presentation, with rare exceptions; It distracts from the presentation, and interferes with the speaker's rapport with the audience. Better instead to have someone monitoring the backchannel and pulling out questions for the speaker to answer during periodic Twitter breaks.

(speaker dwarfed by backchannel in background)

But for a book of relatively few pages, he has some larger ambitions - and that's where The Backchannel really soars. Atkinson is trying to do much more than just help you keep your head above water. He wants to transform you as a speaker, just as audiences are changing: from his call to solicit audience input before the event, to his suggestions for ongoing relationships with your audience.

The single most valuable part of The Backchannel, for my money, is Atkinson's concept of a presentation home page: a conversational hub to house your slides (if any), video or audio recordings, relevant blog posts, links to supporting material, supplements and elaborations on your speech's content, and of course the transcript of the backchannel itself. He delivers not just a description of each section but a wireframe that any moderately skilled web-head should be able to implement - and that wireframe alone is worth the purchase price.

Early in the book, Atkinson suggests you should see your presentation as just one piece of a larger picture: the comprehensive message you want to bring to the world. With his presentation home page, you can begin to see that picture take shape - and for any speaker who wants to make an impact in the world, that's an exciting prospect.

And that puts the rest of the book into perspective. Some of Atkinson's advice, like making your presentation Twitter-friendly by boiling it down to a few pithy key messages, might seem at first like a call to dumb down speeches. (Given the rap on Twitter as an empty, meaningless medium, that charge is probably inevitable.) But simple messages make for better speeches, period; a complicated, lengthy argument just doesn't fly in the spoken word. If that doesn't work for your speech, you have to ask yourself if you've picked the right medium.

(speaker) I was under the impression I'd be the only one with a megaphone. (Audience member, holding a megaphone) Surprise!The conversational nature of the backchannel tends to enforce a discipline that makes us better speakers. What's more, as speeches become conversations, their success no longer rests solely on the shoulders of whoever's behind the mike; the medium is becoming collaborative. Maybe that can go some way to making public speaking less scary - both for the speakers who have to deliver presentations, and the audiences that have to sit through them.

Speaking is already changing, driven by the same forces that gave rise to the social media revolution. The traditional model of a few voices broadcasting to the multitude - whether from a printing press or a podium - is falling apart.

The Backchannel's model may not be the one that ultimately emerges from the tacit negotiation now underway between audiences and speakers. But it's a great starting point - and a huge advance on the current state of the art, at a time when speakers and audiences alike badly need it.

What Sarah Palin really saw on her palm

Category: Politics

Your 15 minutes are up

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